What is Vedanga Jyotisha ?

Astrology in Sanatana dharma is known as Jyotisha, which is a Vedanga, or a limb of the Veda Purusha, and is therefore referred to as Vedanga Jyotisha.

There are six Vedangas:

  1. Shiksha – phonetics or pronunciation (nose of Vedapurusha)
  2. Kalpa – rituals like Yagnas (arms of Vedapurusha)
  3. Vyakarana – grammar (mouth of Vedapurusha)
  4. Nirukta – etymology (ears of Vedapurusha)
  5. Chandas – meter (feet of Vedapurusha)
  6. Jyotisha – astronomy and astrology (eyes of Vedapurusha)
Jyotisha is the study of “celestial or luminous bodies” or the study of “light” — it illuminates otherwise invisible subject – karmas.

Jyotisha has the following branches:

  1. Ganita or Siddhanta – Mathematical calculations to prepare Panchanga and individual horoscope
  2. Samhita or Muhurta – Vedic ritual timing (aligning with cosmic rhythm)
  3. Phalita or Hora – Analyzing horoscope and predicting future events (fruits of previous karmas)
As we can see, Jyotisha is a sacred and profound wisdom bestowed by the Rishis to help us align our actions with the cosmic rhythm and to gain insight into one’s karmic pattern.

In its earlier form, the Vedanga Jyotisha texts primarily focused on Ganita (astronomical calculations) and Muhurta (auspicious timing), mainly to support the proper timing of Vedic rituals and seasonal changes.

Later, Rishi Parashara composed the Brihat Parashara Hora Shastra, which became the foundational text for Phalita (predictive or horary astrology). This branch of Jyotisha empowers individuals to gain insight into their karmic patterns and navigate their life journey with greater awareness and clarity. The Karma siddhanta, which forms the foundation of Phalita (predictive astrology), is a profound and intricate subject.

Jyotisha, regarded as the ‘eyes’ of the Veda Purusha, is a vital instrument for attaining the fourfold Purusharthas of Sanatana dharma, ultimately leading one toward the path of moksha.

Although the shastra is divine in essence, it is essential to apply discernment in evaluating its contemporary practice. One must critically examine whether its original sacred intent is being honored or if it has been diminished into a commercial instrument for exploitation.

Om Sairam _/\_